Archive for February, 2012
EHX Ravish Sitar demo by WeRock TV in Japan
Monday, February 27th, 2012| Tweet |
WeRock TV from Japan created this Ravish Sitar demo complete with tab!
Friday Giveaway: 105Q Cry Baby Bass Wah
Saturday, February 25th, 2012
Because we just posted a new video about the 105Q Cry Baby Bass Wah, we thought it would make the perfect Friday Giveaway prize!
The first wah pedal designed by bass players for bass players. The 105Q incorporates a proprietary potentiometer* and custom EQ circuitry, specifically optimized for bass frequencies. The Cry Baby Bass Wah applies the wah effect to the mids and highs only, leaving a strong fundamental to hold down the bottom—so you can take solos or throw in fills without ever disturbing your low end. This amazing pedal is used by Flea, Justin Meldal-Johnsen, Doug Wimbish, Robert Trujillo and more.
Watch this…
…And enter for your chance to win this fantastic, iconic bass effect, by using the comments section below to tell us how funky your jams get…
EHX Graphic Fuzz demo by xtimehascomex
Friday, February 24th, 2012| Tweet |
xtimehascomex posted a demo of the Electro-Harmonix Graphic Fuzz. Equipped with 6-bands of EQ, sliders for Overdrive, Sustain and Volume, plus a design that makes it sensitive to the dynamics of your playing, the Graphic Fuzz can work as a stand alone EQ, or a distortion with real sound sculpting capabilities.
Lenny Kravitz honors Muhammad Ali with Slash and Joe Perry
Thursday, February 23rd, 2012
Dunlop had front row seats earlier this week for Lenny Kravitz’s show-stealing performance in Las Vegas at the Power of Love Gala, an event celebrating the life of Muhammad Ali on his 70th birthday. Slash and Joe Perry joined Lenny’s set and gave a blazing tribute to the greatest boxer in history.
Slash rocks it with Lenny for “Always on the Run” from his album Mama Said.
Joe Perry joined Lenny for his classic “Are You Gonna Go My Way” from the album of the same name.
Lenny’s longtime bandmate Craig Ross shows off his chops and his rare James Trussart-designed Cry Baby.
Lenny Kravitz uses Dunlop Genuine Celluloid Picks, the MXR Phase 90, the MXR Dyna Comp, and the Cry Baby Crystal.
Slash uses the Slash Signature Wah, the MXR CAE Boost/Line Driver, the MXR Stereo Chorus, the MXR Smart Gate® Noise Gate, the MXR ’74 Vintage Phase 90, the Heil Talkbox, and Tortex® Standard 1.14 Picks.
Joe Perry uses the MXR CAE Boost/Line Driver, the Heil Talkbox, the Custom Audio Electronics Wah, the MXR Phase 90, the Custom Audio Electronics Power System, Genuine Celluloid Picks, and the Joe Perry “Boneyard” Slide.
Craig Ross uses Tortex Standard .73 Picks, the James Trussart-designed Cry Baby, the MXR Phase 90, the MXR Dyna Comp, and the MXR CAE Boost/Line Driver.
EHX POG2 demo by Prymaxe Vintage
Thursday, February 23rd, 2012EHX Ring Thing demo by FleXeuS
Wednesday, February 22nd, 2012| Tweet |
FleXeuS plays through his favorite presets on the EHX Ring Thing Single Sideband Modulator. The Ring Thing can deliver everything from ear curling dissonance to intergalactic laser sweeps to the sweetest tremolo.
EHX Stereo Talking Machine demo by steveneudy
Tuesday, February 21st, 2012| Tweet |
steveneudy plays bass guitar through the Stereo Talking Machine.
EHX Ravish Sitar review by The Deli
Monday, February 20th, 2012| Tweet |
The Deli serves up a review of the mouth watering Ravish Sitar. Please pass the mango chutney. Read the review here.
Friday Giveaway: Slash Signature Cry Baby Wah
Saturday, February 18th, 2012…
The Dunlop shop is all a-buzz with this week’s announcement from Slash about his new album’s title and artwork. It seems only fitting that this week’s Friday giveaway be a Slash Signature Cry Baby Wah, with a bottom plate autographed by the top-hatted guitar hero!
Like the man himself, the Slash Wah from Dunlop is both revolutionary and classic, right down to its hot rod metallic red finish and cutting edge circuit design. The Slash Wah deploys a searing high gain distortion coupled with the Fasel-loaded Classic circuit for instant lead tone that not only cuts through, but sings with a sweet and lush top end. Convenient LEDs indicate distortion on/off and wah on/off modes, so there’s no more guessing game every time you put your foot down. And with the batteries readily accessible from the top of the rocker pedal, you don’t have to fumble with a screwdriver when it’s time to re-power. So get your boot on a Dunlop Slash Wah. Top hat not included.
To enter win this great signature wah-wah pedal, use the comments section below to tell us which Slash wah-laden solo is your favorite, and why…








